高清

镜子的另一面：纽波特民歌艺术节1963~1965

8.5

类型：纪录地区：中国香港年份：2019 语言：中字

主演：Bob Dylan, Joan Baez, Judy Collins

导演：周健,金美京,Cissy

上次更新：2026-11-03 03:19:07

立即播放收藏

全集

第1期
第2期
第3期
第4期
第5期
第6期
第7期
第8期
第9期
第10期
第11期
第12期
第13期
第14期
第15期
第16期
第17期
第18期
第19期
第20期
第21期
第22期
第23期
第24期
第25期
第26期
第27期
第28期
第29期
第30期
第31期

剧情介绍

《镜子的另一面：纽波特民歌艺术节1963~1965》剧集介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.... 《镜子的另一面：纽波特民歌艺术节1963~1965》剧集介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.,91中文字幕福利综合一区,亚欧大片日本mv在线观看,亚精品免费观看mv在线观看... 详情

影片评论

添羿:刚刚

但一切为时已晚，因为比利缺了几个礼拜课，他已经不能按照约定从高中毕业。
凌绝尘:8分钟前

对人物性格刻画的立体和全面，即使如甄子丹和吕良伟等好打之人，也有大量的情感戏和内心戏表现，而不只是打斗机器。
大婶:7分钟前

呆在实尾岛的“684派北部队”，成了一颗弃子，应得的津贴要么少发，要么被中间部门贪污，待遇大不如前，目标已经撤销，但训练依然残酷，队员们觉得长此以往都会被折磨死，不满情绪蔓延。
陈厚竹:2分钟前

好莱坞电影借助美国自由经济的领先力量，在势不可当地覆盖着全球电影市场的同时必然会对中国产生深刻的影响，而且这种影响的意义远远不仅仅是对于电影的，而且也是对于整个社会的政治、经济、文化、甚至传统的。
江郎才尽的瑾:1分钟前

作为母亲金女士的养子，他顺从母亲的意愿做了外科医生，放弃了自己的理想。
东方神话:小时前

奖项设置：老年组设一、二、三等奖各1名;中青年男子组设一等奖一名、二等奖二名、三等奖三名;中青年女子组设一等奖三名、二等奖四名、三等奖五名;纪念奖若干名。
散漫者:3小时前

对于一部处女作能够达到这样的水准已经相当不错了，只是影片可能存在着不少令人困惑的地方。
从宅到更宅:8小时前

2002年，保罗·纽曼出演了黑帮片，一头银发的保罗以老辣无比的演技，将黑帮老大的形象刻画得形神兼似，第10次获得了奥斯卡奖的眷顾。
赞月的蓝:5小时前

有很多啊，比如爱剪辑，小影，还有一些国外的剪辑软件，都还行，推荐爱剪辑
农村李二牛:1天前

公交线路：乘坐20、21、348107（夜）路公交车至广济医院站下,91中文字幕福利综合一区,亚欧大片日本mv在线观看